Saturday, July 22, 2017

How was I to know if I got too close, I'd catch your dreams?


"When I was a little kid, maybe five years old, in the old country, my mother used to say to me, she'd warn me, she'd say, "Don't get too close to people, you'll catch their dreams".  Years later, I realized I misunderstood her.  "Germs", she said, not "dreams".  "You'll catch their germs"...  I want you to know something, Tucker.  I went into business with you for one reason: to make money.   That's all.  How was I to know... if I got too close, I'd catch your dreams..."
Tucker, The Man And His Dream (1988)

"I remember my father telling me, "The eyes of God are on us always".  The eyes of God.  What a phrase to a young boy. What were God's eyes like?  Unimaginably penetrating, intense eyes, I assumed.  And I wonder if it was just a coincidence I made my speciality opthamology."
Crimes And Misdemeanors (1989)

"They were mythic.   They had a poetry to them."

"Yes."

"And you know what else?  The women... The women preferred the traditional monsters."

"The women, huh?"

"The pure horror, it both repels and attracts them, because in their collective unconscious they have the agony of childbirth.  The blood.  The blood is horror."

"You know, I never though of that."

"Take my word for it.  If you want to make out with a young lady, take her to see Dracula."
Ed Wood (1994)

And it was for that one that Mr. Landau won his Best Supporting Actor Oscar for an outstanding performance as Bela Lugosi.  A long-deserved honor coming during a late career resurgence.  Proof that it is never too late, shy of the grave, to make one's mark.

The unburied dead have been returning to life and seeking human victims.


"It was the filmmaking, the fantasy, the fact that it was a fantasy and it had a few frightening, sort of bizarre things in it. It was everything. It was really a movie for me, and it gave me an early appreciation for the power of visual media, the fact that you could experiment with it.  He was doing all his tricks in-camera, and they were sort of obvious.  That made me feel that, gee, maybe I could figure this medium out.  It was transparent, but it worked."

—George A. Romero, speaking of the British filmmaking team of Michael Powell and Emeric Pressburger and their 1951 movie The Tales Of Hoffman, for Robert K. Elder's book The Film That Changed My Life (2011, Chicago Review Press)