Friday, February 27, 2015
Don't grieve, Admiral.
"The ship... Out of danger?"
"Yes."
"Don't grieve... Admiral. It's logical. The needs... of the many... outweigh—"
"The needs of the few."
"Or the one. I never took the Kobayashi Maru test... until now. What do you think of my solution?"
"Spock..."
"I have been... and always shall be... your friend. Live long... and prosper."
Remember.
Tuesday, February 17, 2015
Farewell, the pleaures of the flesh.
My celebration of Mardi Gras includes the smoking of a fine cigar. It is my one and only indulgence of tobacco in the entire year and one which has a ritualistic character. In a brief season of indulgence, indeed of wretched excess in taking one's pleasures, my Mardi Gras smoker is a special pleasure I reserve only for this time. It's inspiration was a scene in Doctor Zhivago (1965) and one which, for me, cohered wonderfully with carnival and its inevitable end at midnight on Shrove Tuesday.
The scene is the dinner Yuri Andrevich is sharing with his wife, Tonya, and his father-in-law Alexander Gromeko (Ralph Richardson, portraying one of the most British Russians to be found in any production), upon Yuri's return from the Ukranian front at the end of Russia's participation in the Great War. Gromeko, savoring the moment, pulls out a stub, declaring "I am about to light the last half of the last cigar to be found in Moscow". Some light conversation about the meal follows as the old man lights the cigar, after which he takes a long puff, letting the smoke roll around in his mouth and enjoying the experience for all its worth before wistfully declaring "Farwell, the pleasures of the flesh", and then wondering aloud how the family was going to make it through the winter in the face of the Revolution and the shortages of food and fuel in the city.
Mardi Gras itself is a brief time of gross enjoyment of appetite and sensation just before one is confronted with the harsh realities of Lent, the season of fasting and atonement in the Catholic calendar which begins on Ash Wednesday. Like Gromeko, I savor my pleasures at length, knowing that they must all too soon come to an end, and that waiting for me is more serious business, deprivation, and sacrifice. I don't take the ashes of Lent myself, but the burnt remains of my cigar fulfills the same symbolism for me of the season of indulgence which must end with the reminder that, from dust thou came and from dust shalt thou return.
Farewell, the pleasures of the flesh.
The scene is the dinner Yuri Andrevich is sharing with his wife, Tonya, and his father-in-law Alexander Gromeko (Ralph Richardson, portraying one of the most British Russians to be found in any production), upon Yuri's return from the Ukranian front at the end of Russia's participation in the Great War. Gromeko, savoring the moment, pulls out a stub, declaring "I am about to light the last half of the last cigar to be found in Moscow". Some light conversation about the meal follows as the old man lights the cigar, after which he takes a long puff, letting the smoke roll around in his mouth and enjoying the experience for all its worth before wistfully declaring "Farwell, the pleasures of the flesh", and then wondering aloud how the family was going to make it through the winter in the face of the Revolution and the shortages of food and fuel in the city.
Mardi Gras itself is a brief time of gross enjoyment of appetite and sensation just before one is confronted with the harsh realities of Lent, the season of fasting and atonement in the Catholic calendar which begins on Ash Wednesday. Like Gromeko, I savor my pleasures at length, knowing that they must all too soon come to an end, and that waiting for me is more serious business, deprivation, and sacrifice. I don't take the ashes of Lent myself, but the burnt remains of my cigar fulfills the same symbolism for me of the season of indulgence which must end with the reminder that, from dust thou came and from dust shalt thou return.
Farewell, the pleasures of the flesh.
Monday, February 16, 2015
The News Parade
A staple feature of the movie experience for audiences in the era before television was the newsreel. Performing much the same function as the television nightly news, these short-subject films presented a cavalcade of stories on national and world events, sport, and human interest, and themselves were a powerful draw for audiences and a guaranteed revenue stream for theater owners. Cities even had dedicated newsreel theaters running all the informational shorts produced by Fox, Universal, Paramount, and Pathé, in a daily rotation for eager moviegoers trying to stay caught-up with events. Most newsreels ran around ten to twelve minutes in length, and featured about six to twenty items per short. But each story featured in the newsreel had around ten minutes or so of footage shot for it so as to provide editors with their choice of prime clips for each spot in the production, which means most of the material ended up on the cutting room floor. Some companies archived the unused footage —which could be recycled for movie productions as stock filler— while others simply threw away the discards to save storage space in their vaults.
The reason for this particular blog entry however is not to go into a rambling history of the newsreel and its eventual demise as television steadily supplanted its function. As I write, it is Mardi Gras back home in New Orleans. By chance while doing a Google search, I stumbled upon a YouTube video of nine minutes of unused footage from British Pathé of the 1947 Rex parade which did not make the final cut for the short which went out about that time of year then. Given the day, it is altogether appropriate to link the page so readers can enjoy a look into carnival past which was rescued from the cutting room floor and preserved for posterity, and is now available for online viewing thanks to the whole British Pathé library being made available to the worldwide web. So draw up your chair, sit down with chips, popcorn, or if you have it —king cake, and enjoy:
The reason for this particular blog entry however is not to go into a rambling history of the newsreel and its eventual demise as television steadily supplanted its function. As I write, it is Mardi Gras back home in New Orleans. By chance while doing a Google search, I stumbled upon a YouTube video of nine minutes of unused footage from British Pathé of the 1947 Rex parade which did not make the final cut for the short which went out about that time of year then. Given the day, it is altogether appropriate to link the page so readers can enjoy a look into carnival past which was rescued from the cutting room floor and preserved for posterity, and is now available for online viewing thanks to the whole British Pathé library being made available to the worldwide web. So draw up your chair, sit down with chips, popcorn, or if you have it —king cake, and enjoy:
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